Hatshepsut, who I have identified for years as the biblical Deborah, has now been claimed to have been "lost and found" as a mummy on the third floor of the Egyptian Museum in Cairo.
The Egypt State Information Service writes:
"The true mummy of ancient Egyptian queenHatshepsut was discovered in the third floor of the Egyptian Museum inCairo, Secretary General of Supreme Council for Antiquities Zahi Hawwasrevealed on Thursday.
The mummy was missing among thousands of artifacts lying in the museum,he said during his lecture at the New York-based Metropolitan Museum ofArts.
He said for decades archaeologists believed that a mummy found in Luxorwas that of the Egyptian queen. It was a streak of luck, he said, tofind this mummy.
The Metropolitan is hosting a Hatshepsut exhibition that displays 270 artifacts on the life history of the queen.
The American museum honoured Hawwas and his accompanying delegation inappreciation of their effort to unravel the mysteries of the EgyptianPharaohnic age."
Is Hawass right? We think so.
First, let us be clear that in my analysis,
Deborah = Hatshepsut
and
Barak = Thutmosis I (Thutmose I).
Hatshepsut was the only "Queen" of Egypt and Deborah was the only "Female Judge" of pre-monarchic Israel. They are one and the same person.
According to current scholarship, the name Deborah allegedly meant "bee" but in fact her name is given in hieroglyphs by the symbols of the bread loaf (TE or DE), the vase pot (PO or BO incorrectly read by the Egyptologists as H because they have confused a reading for "fluid", i.e. the content of the pot), and the lion symbol (L or R, as Egyptologists should have known from the use of the lion for that sound in later eras). Actually the original name is something like BTL or PTL which I think is Hebrew hlwtb (bethula) meaning "virgin" or "Virgo", as her assigned place in the heavens. The term la-pi-do-th (Lapidoth), affiliated with Deborah as her alleged partner, just comes from a different reading of that same hieroglyph, moving the order of letters around, and was probably intentional. We explain this later below.
The astronomical conclusion that Deborah was Virgo is also verified by the picture and hieroglyphs found on one of the stone slabs marking the entrance to tomb KV20, where Deborah (Hatshepsut) is shown sitting on the back of a long downward and then upward curving giant serpent (clearly Hydra) at the exact position marking Virgo (p. 94 of the German version of The Complete Valley of the Kings by Reeves and Wilkinson). This marks the seventh hour of the so-called amduat , the hidden chambers of the hours of night, which of course are astronomical regions of the stars and can be followed quite easily - my discovery - from the Spring Equinox point to the Taurus to Osiris (Orion) and onward toward Hydra and the deepest underworld, for in about 1500 BC the lowest point of the celestial equator in its 26000-year circuit is in Hydra and Deborah's staff in the picture on the stone slab referred to above marks that lowest point at the bottom of the neck of Hydra.
Let me also point out that Barak in Hebrew means "lightning" which is of course then related to Latvian PERK-onis "thunder". In Latvian there is however another homophonic word and that is PEREKlis (origin of the Greek name Pericles) =BARAK and that word means "roost of a bird", and that is why the name hieroglyph of Thutmosis, who is BARAK, is a bird on a roost PEREKlis, a word also found in Akkadian by the way.
Hence, there is little doubt that tomb KV38 in its astronomically intentional high roost in the Valley of Kings was in fact the original tomb of Barak (Thutmosis I) and that John Romers' dating of KV38 after KV20 is simply wrong.
KV 20 indeed represents the amduat in its shape and that is why it was dug so deeply underground. It had an astronomical significance. All of these observations are my discoveries.
The Egyptologists are asleep.
As for the area of the heavens which was intended as BARAK's roost, note that parqenoj ("parthenos" - virgin), i.e. PARQ = BARAK, also means virgin, so we have a match with Deborah and Barak in terms of where their realms were placed in the heavens.
Deborah's realm would be Virgo and Barak's Bootes above it. As noted by Richard Hinckley Allen in Star Names (p. 101), Al Biruni refers to Arcturus as "the second calf of the lion" and Spica (in Virgo) is "the first calf of the lion", which "first calf" of the lion we see in Deborah's hieroglyphic name. Ideler showed that Arabic Bootes was also BAKKAR, the Herdsman (Allen p. 97), obviously an Arabic name confusion with BARAK.
But of course, that is not all.
Let us turn to the tombs in the Valley of Kings at THEBES (recall that Latvian DEBESS means "heaven" and THEBES = DEBESS). The Valley of Kings at Thebes was the "heaven" to which the deceased pharaohs were sent.
Relying on the Thames and Hudson book, The Complete Valley of the Kings, which I have in my library in the German version as Das Tal der Koenige, by Nicholas Reeves and Richard H. Wilkinson, Econ, 1997 and various similar sources we discover that:
Deborah's (Hatshepsut's) tomb was first planned to be a cliff tomb at Wadi Sikket Taquet el-Zaid [German Wadi Sikket Taqa el-Zeide], discovered by Howard Carter in 1916, but this "rock tomb " was never finished and never used.
Rather, after Barak, Deborah's father passed away, she became the regent and decided to make her own tomb KV20, bringing her beloved father down from tomb KV38 to join her at some point. Note here that it is generally thought Deborah's "partner" was Lapidoth, a term also meaning"red-haired", but she had no partner. Lapidoth was Deborah.
When the mummies were moved to save them from the grave robbers in the era of Ramses IX, it is clear that Deborah's (Hatshepsut's) mummy was saved to the nearest smaller and thus less endangered tomb, that of her wet nurse in Tomb KV60, with the mummy for protection probably then placed in that coffin in the stead of her nurse. There were thus in fact two mummies found in KV60. One of them is still there and the other of these mummies, the blondish red-haired one is the one that was taken to the Egyptian Museum in Cairo and which is now being hailed as the mummy of Deborah (Hatshepsut).
And here is my conclusion.
There is no doubt that the mummy with goldish-blonde red hair is Deborah (Hatshepsut), for Deborah was in fact famed for her red hair as Lapidoth, which is just another reading of the hieroglyphs of her name.
Other people pooh-bah Zahi Hawass as a showman, which he definitely is, and a good one, but I think he has an excellent nose for the truth, because he is sincerely interested in how actual history took place, and that is often more important than anything. In the instant case, we support Hawass in his conclusion. The blondish red-haired mummy is clearly Deborah (Hatshepsut).
The exhibition at the Metropolitan Museum is titled "Hatshepsut: From Queen to Pharaoh". Imagine how many people would come to that exhibition if they knew that Hatshepsut was the biblical Deborah. New York City would have to worry about sinking because of the weight of the visitors.
I should note in closing that I was of course at the Hatschepsut exhibition when it was held here in Germany in Speyer in the year 2002 and it was terrific, and I can only recommend to all of you to go to New York and see this wonderful exhibition. I also recommend a publication I bought in German which is perhaps by now available in English. It is: Alfred Grimm and Sylvia Schoske, Hatschepsut: KoenigIN Aegyptens, Muenchen 1999, Heft 8 der Schriften der Aegyptischen Sammlung (SAS).
Sunday, April 09, 2006
Subscribe to:
Post Comments (Atom)
Most Popular Posts of All Time
-
The Nomes of Egypt and Astronomy - C - Nome Hieroglyph Chart - ANE BC P6 This posting presents a graphic of the Ancient Pharaonic Egyptian h...
-
Very few equivalences in ancient times are so certain as the equivalence of Ramses II with King Solomon. Indeed, no mainstream scholar has b...
-
Although not recognized as such by the Egyptologists, the Tomb of Moses was discovered by the team of Austrian archaeologist Manfred Bietak ...
-
. This is a very important posting because it is a major pioneering step forward in resolving the question of the origin of human writing. I...
-
We are all familiar with the famous bust of Nofretete (Nefertiti in neo-Egyptological garble). Who was this woman? Who was she? Mark Rose in...
-
At Rogue Classicism there is a posting on shaving which is excerpted from Tech Central Station and the October 11, 2005 posting " Raz...
-
The Cult of Horus and the Origins of Astronomy - Nr. 33 - BIBLIOGRAPHY Richard Hinckley Allen, Star Names: Their Lore and Meaning, Dover, N....
-
The Nomes of Egypt and Astronomy - B - Map of Egyptian Nomes - ANE BC P5 This posting presents a map of the Nomes of Ancient Egypt and their...
-
Bill McBride, a LexiLine list member, commenting on my posting at 59 LexiLine Newsletter 2005 The Cult of Horus Nr. 4 , where I write ...
-
Pharaonic Egyptian Hieroglyphs 1 - Vowel Sounds - ANE BC P15 Pharaonic Egyptian Vowels in Hieroglyphs The current view of the Egyptian hiero...
Sky Earth - Plus - Our Blogs
American Indian Rock Art Petroglyphs Pictographs
Cave Paintings Earthworks & Mounds as Land Survey & Astronomy,
Volume 1, Edition 2, 266 pages, by Andis Kaulins.
Sky Earth Native America 2 :
American Indian Rock Art Petroglyphs Pictographs
Cave Paintings Earthworks & Mounds as Land Survey & Astronomy,
Volume 2, Edition 2, 262 pages, by Andis Kaulins.
Both volumes have the same cover except for the labels "Volume 1" viz. "Volume 2".
The image on the cover was created using public domain space photos of Earth from NASA.
Both book volumes contain the following basic book description:
"Alice Cunningham Fletcher observed in her 1902 publication in the American Anthropologist
that there is ample evidence that some ancient cultures in Native America,
e.g. the Pawnee in Nebraska,
geographically located their villages according to patterns seen in stars of the heavens.
See Alice C. Fletcher, Star Cult Among the Pawnee--A Preliminary Report,
American Anthropologist, 4, 730-736, 1902.
Ralph N. Buckstaff wrote:
"These Indians recognized the constellations as we do, also the important stars,
drawing them according to their magnitude.
The groups were placed with a great deal of thought and care and show long study.
... They were keen observers....
The Pawnee Indians must have had a knowledge of astronomy
comparable to that of the early white men."
See Ralph N. Buckstaff, Stars and Constellations of a Pawnee Sky Map,
American Anthropologist, Vol. 29, Nr. 2, April-June 1927, pp. 279-285, 1927.
In our book, we take these observations one level further
and show that megalithic sites and petroglyphic rock carving
and pictographic rock art in Native America,
together with mounds and earthworks, were made to represent territorial geographic landmarks
placed according to the stars of the sky using the ready map of the starry sky
in the hermetic tradition, "as above, so below".
That mirror image of the heavens on terrestrial land is the "Sky Earth" of Native America,
whose "rock stars" are the real stars of the heavens,
"immortalized" by rock art petroglyphs, pictographs,
cave paintings, earthworks and mounds of various kinds (stone, earth, shells) on our Earth.
These landmarks were placed systematically
in North America, Central America (Meso-America) and South America
and can to a large degree be reconstructed as the Sky Earth of Native America."
No comments:
Post a Comment